Patrick Frey – Patti Smith’s swelling wanna-be audience
“When Dominik Bachmann asked whether I was there at the first concert by Patti Smith, and if I could tell him about it, I said no, I was still at a private boarding school high up in the Alps; but I remember a very beautiful, more recent concert by Patti Smith at the Rote Fabrik, the one in 2010, which took place outside at the lake in front of the Ziegel restaurant, now already fifteen years ago.
Photo: Eric Bachmann
And I thought that I remembered how back then, in her intro, Patti Smith referred to that first, legendary concert at the Rote Fabrik in 1976, and mentioned that there had been a fire in the middle of her performance, and that the concert had to be stopped because of it. In reality—that’s how memory deceives us—it wasn’t a fire, but an act of sabotage, a small, relatively harmless teargas attack. And although the event hall had to be evacuated, after an interruption, the concert continued again.
However, this distortion of my own memory, also in terms of my time at the boarding school in the Alps, which had already finished a few years earlier, isn’t the point of this story, and also not the reason why Patti Smith told it in her intro. Instead, as Patti Smith said, she could remember her first concert amazingly well, but not very many people showed up, the audience on this legendary evening in the event hall was enthusiastic but also quite small, but then over the course of the years and legendary retellings—now here’s the punchline—the audience kept on growing. At some point, there must have been between 500 and 1,000 people at this mythical concert, which would be everyone in Zurich’s underground music scene who considers themselves to be someone, so to speak.
But what made it relatively easy for the few honest ones to expose the fantasists throughout all the years was the fact that the act of sabotage was only mentioned briefly in the press, and then immediately forgotten again and after a few years, only those who had really been there knew about it, whereas all of the others, that is, Patti Smith’s swelling wanna-be Zurich audience, told with tears in their eyes of the overwhelmingly wonderful, but mainly untroubled, teargas-free concert experience, that they had never actually been to.”
Patrick Frey is author, publisher, actor, and comedian. He began studies in economy and art history, worked as an art critic and essayist for media including Tages-Anzeiger, WOZ, Parkett, Wolkenkratzer, and Artforum. From the early 1980s, Frey worked as a comedian and actor, wrote and co-wrote numerous comedies for the stage and appeared in various television productions and diverse feature films. In 1986 he founded the Edition Patrick Frey, a small, international press specializing in art and photography. Over the course of the years, the publishing house has gained in popularity and has currently released more than 380 publications. Through his publishing work, Frey has played a significant role in promoting the work of many artists and photographers.